Dance Scenes From Best Little Whore House in Texas
The Best Footling Whorehouse in Texas | |
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Directed past | Colin Higgins |
Written past |
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Based on | The Best Little Whorehouse in Texas
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Produced by |
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Starring |
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Cinematography | William A. Fraker |
Edited by |
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Music by |
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Production |
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Distributed by | Universal Pictures |
Release date |
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Running time | 114 minutes[1] |
Country | United States |
Linguistic communication | English language |
Budget | $20.v one thousand thousand or $35 one thousand thousand[ii] |
Box role | $69.seven million[3] |
The Best Little Whorehouse in Texas is a 1982 American musical comedy film co-written, produced and directed by Colin Higgins (in his terminal film as managing director). It is an accommodation of the 1978 Broadway musical of the same name, and stars Dolly Parton, Burt Reynolds, Jim Nabors, Charles Durning, Dom DeLuise, Noah Beery Jr., Robert Mandan, Lois Nettleton, Theresa Merritt, Barry Corbin, Mary Jo Catlett and Mary Louise Wilson.
Durning was nominated for the University Award for Best Supporting Actor for his office every bit the Texas governor. Golden Globe Award nominations went to the picture for All-time Motion Moving-picture show (Comedy or Musical) and Parton for Best Actress in a Move Picture (Comedy or Musical). Information technology was the fourth highest-grossing alive-activeness musical film of the 1980s, and the top grossing of 1982.[4]
Plot [edit]
Ed Earl Dodd, the sheriff of Gilbert, Texas, has a relationship of long standing with Miss Mona Stangley, who runs a brothel called the "Chicken Ranch" outside of town. Illegal or non, Earl does not interfere with her business, which has been a fixture in the boondocks for as long as either can call up.
Lovers on the side, occasionally interrupted by Deputy Fred, the sheriff and madam have a pleasant system. Not everyone in boondocks approves of her, but Miss Mona is a public-minded citizen who regularly donates to charity, decent and law-constant in every respect just her line of work.
A large-city boob tube personality, do-gooder Melvin P. Thorpe, is nearly to practise a segment about the town, so the sheriff visits Thorpe in his Houston studio. He is shocked past Thorpe's live telecast, in which Thorpe reveals to a huge audience his discovery that "Texas has a whorehouse in it." Earl later compounds the problem by insulting and threatening Thorpe in the town public square subsequently Thorpe accuses him of taking payoffs and bribes for non cracking down on Miss Mona's business organization, all caught on Tv set.
The Craven Ranch is an establishment, where the winning team from the football game between state rivals the University of Texas Longhorns and the Texas A&M Aggies traditionally is brought to "celebrate" its victory. The negative publicity puts a spotlight on the identify, so Ed Earl gets Miss Mona's word that she will shut the doors until the attention goes away. She shuts it down to regular customers but elects to let the football players have their political party, at which point Thorpe and his TV cameras sneak onto the holding and ambush them all. A quarrel and bitter breakup between the sheriff and Miss Mona ensues, punctuated by him calling her "a whore."
The Governor of Texas, who cannot make a decision on a single upshot until he first sees what voters say in the polls, listens to Earl'south appeals to go along the Chicken Ranch open, just when the polls say no he orders Ed Earl to close down the Craven Ranch. The working girls go out the Chicken Ranch for practiced. Miss Mona is disconsolate, at least until finding out the effort made by the sheriff on her behalf.
As Miss Mona is parting the whorehouse for the last fourth dimension, Earl stops her and proposes to her. She turns him down, knowing that his dream is to run for state legislature and that having a married woman who worked in prostitution would hurt his chances. He again insists that he wants to ally her and that he does not care about what people will think or say. Deputy Fred, in a voiceover, states that Earl and Miss Mona married and that Earl successfully ran for the legislature. Deputy Fred states that he succeeded Earl as Sheriff.
Bandage [edit]
- Burt Reynolds every bit Sheriff Ed Earl Dodd
- Dolly Parton equally Mona Stangley
- Dom DeLuise every bit Melvin P. Thorpe
- Charles Durning as The Governor
- Theresa Merritt equally Jewel
- Jim Nabors every bit Deputy Fred
- Lois Nettleton equally Dulcie Mae
- Noah Beery Jr. as Edsel
- Robert Mandan as Senator Charles Wingwood
- Barry Corbin equally C.J.
- Mary Jo Catlett equally Rita Crowell
- Mary Louise Wilson as Miss Modene
- Howard K. Smith equally himself
- Donald F. Colson as Jeff Gerald
- Helen Kleeb equally Dora
- Mickey Jones every bit Henry
- Bobby Fite as Dulcie Mae'southward son
- Paula Shaw as Wulla Jean
- Kenneth White as Sheriff Jack Roy
- Ted Gehring equally Sheriff Chapman
- Verne Lundquist as Football Announcer
- Lee Grosscup as Football Color Man
- Alice Drummond as Governor's secretary
- Terri Treas as Chicken Ranch Girl: Taddy-Jo
- Randy Bennett equally Privates Boy
- Andrea Throughway as Chicken Ranch Girl: Shy (Speaking scenes cutting)
- Valerie Leigh Bixler as Chicken Ranch Girl: Angel (Speaking scenes cut)
Production [edit]
Development [edit]
Originally, Larry L. Male monarch and Peter Masterson were going to write the screenplay and Masterson and Tommy Tune, who had directed the stage production, were to directly the film together. Male monarch recommended Shirley MacLaine, Dyan Cannon, Cari Glynn and Jill Clayburgh as the possibles to star but was told they were not a sufficient box office depict.[5]
When Dolly Parton was cast King suggested Willie Nelson every bit a co-star and Universal executives met with him but at the terminate Burt Reynolds was bandage. Reynolds was paid $three.5 million and Parton $1.5 one thousand thousand.[5]
Reynolds wanted script changes and wanted to sing. Universal became nervous about giving the film to first-time directors and ended upwardly replacing Masterson and Tune with Colin Higgins.[5]
Reynolds later said Parton "had ii directors fired before we started – they were gone. Considering I'd made so many movies and she hadn't, everyone thought it was me. Whether she was correct or incorrect in those decisions, it was astonishing to me that she could practice it."[vi]
Higgins prepared for directing it by watching old George Cukor films and Dr. Pepper commercials ("They take a lot of wonderful movement", said Higgins.[seven])
Reynolds said he suggested to Higgins that Charles Durning be cast. "Colin is very smart, very commercial. They wanted Mickey Rooney, so I manipulated him a petty. I told Colin, 'Mickey Rooney is a wonderful histrion, simply everyone knows that. You won't get any credit. Charles Durning can sing and trip the light fantastic and no one knows it, and then y'all'll get all the credit.' "[6]
Adaptation [edit]
The book of the play was restructured to brand information technology a vehicle for Parton and Reynolds.
The plot is basically the same equally that of the phase production, with one pregnant difference. In the original, Ed Earl and Miss Mona had a one-night stand 15 years before, merely in the movie, they maintain an ongoing affair.
The relationship in the moving-picture show brings well-nigh not only the accusatory scene, when the sheriff—disappointed that Mona has cleaved her promise to close the Craven Ranch downward long enough for things to cool off—calls her a whore, just also the happy ending, when he proposes marriage to Mona, even though that might endanger his chances to be elected as a state legislator; the epilogue comments state that he is elected anyway.
Shooting [edit]
Parton described her experience making the movie as "a nightmare."[8] For his role, Reynolds described Parton as "very self-deprecating, at least in public."[ix]
Music [edit]
Much of Carol Hall's original Broadway score was performed in the motion picture version. Omitted were "Good One-time Daughter", "The Passenger vehicle From Amarillo", "24 Hours of Lovin", "No Lies" and "Doatsie Mae". Two boosted Parton compositions announced in the film: "Sneakin' Around", performed every bit a duet with Parton and Reynolds, and a ii-stanza version of Parton's 1973 composition "I Volition Always Love You". The flick version of "I Will Always Dearest You"—the original recording has been a U.South. country chart-topper for Parton in the spring of 1974—was released as a single in July 1982, and again reached number ane on the U.Southward. land singles chart. It was besides a mid-level striking on Billboard pop and adult contemporary charts. An altered version of Hall's "Hard Candy Christmas", in which Parton sings both the chorus and the verses of the song (as opposed to the film version, which is partially sung by some of the other female cast members), was also released as a single, reaching the peak ten on the country singles nautical chart in late 1982.
Parton wrote several new songs which were filmed but ultimately not used, including "A Gamble Either Mode" and "Where Stallions Run". The latter was restored for the ABC network television circulate of the picture show, as the film was also short for its time slot afterward the censors finished their broadcast edits and boosted material was needed. "A Hazard Either Way" replaced "Girl Y'all're a Woman" from the Broadway score and was sung past Parton after Miss Mona interviewed "Shy" (Andrea Pike) for a job at the Craven Ranch. The characters of Shy and Angel from the Broadway evidence were reduced in the film. Their footage was eventually edited out. "Downwards At The Chicken Ranch" was written for the trailer. Parton recorded two of the deleted songs, "A Gamble Either Way", and "A Cowboy's Ways" (a reworking of "Where Stallions Run"), and included them on her 1983 album Burlap & Satin.
Release [edit]
Marketing [edit]
The flick presented some difficulties for Universal, peculiarly with ad. In 1982, the give-and-take "whorehouse" was considered obscene in parts of the United States, resulting in the movie being renamed The Best Piffling Cathouse in Texas in some print ads, while tv ads were either banned outright in some areas, or the offending give-and-take was censored; on WXYZ-TV in Detroit, the journalist on the station's "Now Showing" segment merely clicked his natural language to eliminate the offending word: "The Best Trivial [click, click] in Texas!" In Canada, the title was by and large left alone in print, only televised trailers used a bleep censor over the discussion. During interviews, Parton sometimes referred to the film equally The All-time Piffling Chicken House in Texas.
Box office [edit]
The Best Little Whorehouse in Texas opened in 1,400 theaters on July 23, 1982 and earned $11,874,268 in its opening weekend, ranking number i in the Usa box office, dethroning E.T. The Extra Terrestrial 'southward half-dozen-week run at the summit of the box office.[10] It was the biggest weekend for a musical film ever.[eleven] The film grossed $69,701,637 domestically.[3]
Critical reception [edit]
The film received mixed reviews from critics. On review aggregator website Rotten Tomatoes, the picture show holds a 42% rating based on 12 reviews.[12] Roger Ebert of the Chicago Sun-Times gave the film ii out of four stars, stating, "If they ever give Dolly her freedom and stop packaging her so antiseptically, she could be terrific. But Dolly and Burt and Whorehouse never get beyond the concept phase in this movie."[xiii]
Cultural influence [edit]
The film and the original Broadway musical it was based on were spoofed in the 1982 pornographic movie Memphis Cathouse Dejection,[fourteen] which starred Annette Haven in the Dolly Parton role of the madam and Mike Horner in the Burt Reynolds role equally the sheriff. Porn star Kay Parker, who played one of the prostitutes in the film, had an uncredited bit role in The Best Little Whorehouse in Texas.
Legacy [edit]
The house used in the movie is located at Universal Studios in Hollywood and can be viewed equally part of the backlot tram tour. The inspiration for the fix came from a real ranch business firm located outside Austin, Texas, which is featured in scenes from the movie.[fifteen]
The firm was shown in the Ghost Whisperer idiot box series episode "The Lost Boys".
The house was also featured in Rob Zombie'due south 2003 horror picture show House of 1000 Corpses.
The film was mentioned in an episode of The Venture Bros., where Dr. Venture mistakes it for a pornographic movie, given its "racy" history.[16]
References [edit]
- ^ "THE BEST LITTLE WHOREHOUSE IN TEXAS (AA)". British Lath of Film Classification. October vi, 1982. Retrieved June 29, 2015.
- ^ "The Unstoppables". Spy. November 1988. p. 92.
- ^ a b "The Best Little Whorehouse in Texas". Box Function Mojo. Cyberspace Movie Database. October 22, 1982. Retrieved June 29, 2015.
- ^ "Musical, 1974–present". Box Office Mojo. IMDb. Retrieved July 28, 2012.
- ^ a b c King, Larry L. (July 8, 1982). "What a round-up! Roping Dolly and Burt, bringing 'Whorehouse' to the screen". Chicago Tribune. p. d20.
- ^ a b Scott, Jay (June 27, 1987). "REYNOLDS RAP". The World and Mail service. p. E.1.
- ^ Goldstein, Patrick (January 24, 1981). "HIGGINS: WRITER-Manager ON HOT STREAK". Los Angeles Times. p. b15.
- ^ Dolly on Dolly: Interviews and Encounters with Dolly Parton. ed. Randy Fifty. Schmidt
- ^ "Burt Reynolds: I was asked to be James Bond". Nov 19, 2022 – via www.telegraph.co.uk.
- ^ "Weekend Box Office Results for July 23-25, 1982". Box Office Mojo. Internet Flick Database. July 26, 1982. Retrieved June 29, 2015.
- ^ Murphy, Arthur D. (October 31, 1989). "Leading Due north American Film Boxoffice Weekends in History". Daily Diversity. p. 53.
- ^ "The Best Piffling Whorehouse in Texas". Rotten Tomatoes . Retrieved November ten, 2021.
- ^ "The Best Footling Whorehouse in Texas Motion picture Review (1982)". Roger Ebert. Chicago Sun-Times. January 1, 1982. Retrieved June 29, 2015.
- ^ "Memphis Cathouse Dejection (1982) Connections". Internet Moving-picture show Database . Retrieved February 3, 2014.
- ^ "The Craven Ranch". TheStudioTour.com . Retrieved July 28, 2012.
- ^ "Dolly Parton's Racy Flick | The Venture Bros. | Adult Swim". Archived from the original on June 18, 2022 – via www.youtube.com.
- Farther reading
- Hall, Carol. Vocal Selections from The Best Little Whorehouse in Texas. Melville, Due north.Y.: MCA Music, 1979.
- Male monarch, Larry L. and Masterson, Peter. The Best Piddling Whorehouse in Texas. Music and lyrics past Carol Hall. French'due south Musical Library. New York, N.Y.: S. French, 1978. ISBN 0-573-68111-2
- King, Larry L. The Whorehouse Papers. New York: Viking Press, 1982. ISBN 0-670-15919-0
External links [edit]
- The All-time Footling Whorehouse in Texas at IMDb
- The Best Little Whorehouse in Texas at the TCM Moving picture Database
- The Best Piddling Whorehouse in Texas at Box Office Mojo
- The Best Little Whorehouse in Texas at Rotten Tomatoes
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Source: https://en.wikipedia.org/wiki/The_Best_Little_Whorehouse_in_Texas_%28film%29
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